The best band of the past two decades brought their impeccable live show to Brooklyn and reminded us all that few have ever been this great.
Showing posts with label Beach House. Show all posts
Showing posts with label Beach House. Show all posts
July 20, 2022
January 19, 2022
December 8, 2021
Beach House - "Over and Over"
Beach House share chapter 2 from their upcoming album, Once Twice Melody, which is out in full in February.
November 10, 2021
Beach House - "Superstar"
Beach House return with four new songs from their upcoming album due in February. "Superstar" is an instant highlight.
June 11, 2019
Beach House played Brooklyn Steel
Beach House are currently on a "world tour" which leads up to their performance at this year's Bonnaroo. They played two nights in Brooklyn along the way and in support of last year's 7.
August 24, 2018
Beach House played Kings Theatre
May 2, 2018
Beach House - "Black Car"
Next week, Beach House will release their great new album, 7. With just about a week to go, the band have shared another excellent track from the record.
April 3, 2018
Beach House - "Dark Spring"
Beach House have shared the opening track for what is becoming my most anticipated album of 2018. 7 is out May 11 via Sub Pop.
February 15, 2018
Beach House - "Lemon Drop"
Beach House have shared "Lemon Glow" the first taste of music from their upcoming record, apparently out this spring.
August 29, 2016
Ten Years | | Ten Songs
March 15, 2016
Beach House played Webster Hall
2015 was a tremendous year for Beach House. The duo released not one, but two magnificent albums and brought their wonderful show to New York for a three night sold out run.
December 28, 2015
Albums of 2015
It's hard to reiterate just how much great music there was in 2015. From the smooth sounds of Miguel, to Kendrick's opus, pristine folk from Sufjan Steven and Joanna Newsom, supreme metal from Baroness, Sannhet, and Deafheaven, TWO Beach House records, a dreamy Deerhunter, and the stunning return of Sleater-Kinney, it really seems like there was something for everyone this year. I extended my list to forty albums this time around and still had difficulty narrowing things down in the end. These are my favorite albums of 2015.
July 2, 2015
Beach House - "Sparks"
Beach House are back with the spaced-out new single, "Sparks", a bleary twisted gem off their new record Depression Cherry.
December 21, 2012
Albums 2012
Following my favorite songs of the year, here are my favorite records of 2012. Thank you so much for reading all year. I'll finish up the year end posts with my guest lists next week.
April 17, 2012
Beach House - "Lazuli"
Bloom, Beach House's beautiful follow-up to the stunning Teen Dream is not expected to be released until May 15th. However, if you do some advanced Google searches, you may be able to avoid the wait. In the meantime, enjoy "Lazuli" which will see a physical release this coming weekend for Record Store Day.
March 7, 2012
Beach House - "Myth"
Beach House will release the follow-up to my favorite album of 2010 with Bloom, out May 15th via Sub Pop. In anticipation, the band has posted a new track, "Myth", on their site and this beautiful luscious track seems to pick up right where the band left off.
December 25, 2010
omgnyc's albums 2010
2010 seems to have been one of the best years for music in recent memory. This year I had a particularly tough time choosing which albums would make my top ten and I easily could have extended the list to top twenty, but I figure it defeats the purpose if I just talk about everyone album I loved this year. These are my favorite albums of 2010.
01. Beach House | Teen Dream
This may seem like an odd choice for album of the year, however the more I listened to this album the more it just made sense. More than any other album this year, I was constantly finding myself coming back to this one. When it came out last winter, it's sultry sound made for the perfect winter jam. Then again in the spring I saw the band and the album was on constant rotation. By summertime, many of the tracks were staples on roof top party play lists, and finally by the fall there was no escape. More then anything, this album was a great comfort album for the entire year. While at first it seemed like another great Beach House record, it didn't take long for it to sink in as their best work to date. Everything really came together on this album. Victoria's vocals sound rich and powerful. Alex's guitar is the biggest I have heard and finally the percussion added the extra layer missing from their previous work. This is the only album from this year that I listen to as much now as I did the second the download finished.
02. LCD Soundsystem | This Is Happening
The one in which James Murphy writes the best record never made by Bowie and Eno. For what he claims to be the last LCD album, James Murphy left nothing to chance. The opening "Dance Yrself Clean" lingers briefly before kicking into a jam that last throughout the entire album. From the disco drum beats, to the funky bass lines, to the fuzzy guitars, this album takes the flashy sounds of Sounds of Silver and turns them into sparkling dance-punk jams that sound just as solid as any krautrock jam that came out of Berlin. Despite the fact that "Drunk Girls" might have been the funnest song of the year, "All I Want" may be the finest tribute to Bowie that has ever been recorded as that obnoxiously loud sliding guitar wails away for nearly seven minutes. Murphy has done a perfect job of recreating 70s nostalgia and bringing it to modern music without losing an ounce of freshness.
03. Deerhunter | Halcyon Digest
To call a Deerhunter album light would just simply be wrong. However when I first listened to Halycon Digest, I thought my speakers were broken. There was no punching song like "Nothing Ever Happened" and that shoegaze tag no longer seemed appropriate. After repeated listens it became clear that this album was still drowned in noise, however this band has grown up. The harshness has been refined to elegance and where previous albums were covered in noise collages, Halcyon Digest is powered by stunning production. It may even be the case that Deerhunter has tricked an audience into believing this is their most accessible work to date, however tracks like "Desire Lines" and the epic closer "He Would've Laughed" just go to show that this band still have plenty of tricks up their sleeves and they can never be taken for granted.
04. Kanye West | My Beautiful Dark Twisted Fantasy
At the end of 2009, Kanye was celebrity enemy number 1. His ego seemed to have finally got the best of him. Then in June the legend returned. "Power" was a statement that Kanye was back ready to regain his place at the top. No more auto-tunned bullshit, just the rap attack over heavy samples that gave him a name in the first place. Over the course of the summer, his GOOD Friday singles built the anticipation to what would become My Beautiful Dark Twisted Fantasy. Nicki Manaj stole the show with her verse on "Monster" and when "Runaway" was debuted at the VMAs it was clear; Kanye was unstoppable. It is the kind of comeback that doesn't seem possible, then again that appears to be the way Kanye does everything. When people think it's too much he pushed it the extra step. This time everything paid off.
05. Joanna Newsom | Have One On Me
This was the record that gave me the most trouble at the beginning, yet had the biggest payoff. The daunting 18-tracks and over two hours were so intimidating that it took me almost two weeks to figure out how to approach this album. However when I finally dove in, I never wanted this record to end. After presenting the flawless Ys I wondered what Joanna would be able to produce next. Have One On Me was the perfect response. Epicly long tracks have become a Newsom staple and they do not disappoint here as proven by the title track, "Go Long" and the stunning "Good Intentions Paving Company". The glorious sounds that only Newsom can create come to life on this album in perhaps the most grandiose forms she has ever displayed.
06. Arcade Fire | The Suburbs
This was the album I listened to more than anything else all year. It was also the album that hit closest to home. Arcade Fire have continued to release amazing albums that have yet to disappoint. After headling two nights at Madison Square Garden, it really seems as if these Canadians have the indie world at the palm of their hands and it is only a matter of time before everyone else figures out. This is surely their longest album to date and the first to include tracks that I would consider skipping, however the grand statements made on "Rococo" "Half Light II" "We Used to Wait" and "Sprawl II" it makes me reconsider any reason I have for not liking something on this album. I can't recall an album before this one that I have been able to relate to in so many ways and I really hope it takes a while before this begins to fade.
07. Big Boi | Sir Lucious Left Foot The Son of Chico Dusty
Above anything else, this album wins best album name of the year (and possibly ever). It has often been said that Andre 3000 is the core member of the duo Outkast, however I challenge anyone to listen to this album and keep that opinion. After years of delay and record label disputes, Sir Lucious Left Foot... finally saw the light of day this summer. The funky southern sounds and dirty basslines are met with aggressive flow that only Big Boi can deliver and sound as fresh as any hip hop actually written in the past twelve months. The guest list can sometimes be questionable (Vonnegut?) but at other times almost majestic (Janelle Monae). This is southern hip hop at its finest. 1990s sounding tough R&B is paired with ferocious beats that leave only one thing to mind: What will Andre 3000 do next?
08. No Age | Everything In Between
2010's biggest sleeper album. After much anticipation to the follow-up of 2008's raucous Nouns, it seemed that after Everything In Between was released people simply forgot to talk about it. This album saw No Age make the progression to more straightforward rock songs and less of the tonal sounds of Nouns. There are less peaks and valleys on this album as the duo blended the sporadic looping drones and aggressive guitars into more of one distinguished sound. Randall's guitar shreds just as harshly on this record as anything he has done before, with the obvious nods to J Mascis and Thurston Moore, and established No Age as the supreme noise rock band of our time.
09. Ariel Pink's Haunted Graffiti | Before Today
Ariel Pink made the biggest shift in musical direction this year, as he left behind his avant guard noise jams for a stab at a psych-pop gem. While "Round and Round" seems to be the clear focus on the album, each track seems just as poppy as the last and any of them could fit in perfectly on a New Year's playlist. The vocal range on many of the tracks is impressive to say the least and the melodies suggest that Ariel could become a pop visionary if he ever desired to make anything inspired by soft rock songs of the 70s. Every time I go back to listen to this album I forget how much of it I remember and how much of it seems like I'm hearing for the first time. A true sign of perfection; instantly recognizable and forgetful the second it is over.
10. Sleigh Bells | Treats
I think of all the albums on this list, this may be the one that made it at the last second. It barely beat out others that I gave some serious consideration, but in the end just missed the cut. From the beginning blasts of "Tell 'Em" this album screams fun. It became my summer jam as I listened to it on what seemed like endless subway rides through the city all summer. Yet no matter how hot it felt, this album was hotter. Every song is an instant party with the exception of stand alone slow jam "Rill Rill" and the album never lets up. As soon as the acoustic guitar loop fades, it goes right back to the high energy ballistic audio assault. And it never seems to end.
01. Beach House | Teen Dream
This may seem like an odd choice for album of the year, however the more I listened to this album the more it just made sense. More than any other album this year, I was constantly finding myself coming back to this one. When it came out last winter, it's sultry sound made for the perfect winter jam. Then again in the spring I saw the band and the album was on constant rotation. By summertime, many of the tracks were staples on roof top party play lists, and finally by the fall there was no escape. More then anything, this album was a great comfort album for the entire year. While at first it seemed like another great Beach House record, it didn't take long for it to sink in as their best work to date. Everything really came together on this album. Victoria's vocals sound rich and powerful. Alex's guitar is the biggest I have heard and finally the percussion added the extra layer missing from their previous work. This is the only album from this year that I listen to as much now as I did the second the download finished.

The one in which James Murphy writes the best record never made by Bowie and Eno. For what he claims to be the last LCD album, James Murphy left nothing to chance. The opening "Dance Yrself Clean" lingers briefly before kicking into a jam that last throughout the entire album. From the disco drum beats, to the funky bass lines, to the fuzzy guitars, this album takes the flashy sounds of Sounds of Silver and turns them into sparkling dance-punk jams that sound just as solid as any krautrock jam that came out of Berlin. Despite the fact that "Drunk Girls" might have been the funnest song of the year, "All I Want" may be the finest tribute to Bowie that has ever been recorded as that obnoxiously loud sliding guitar wails away for nearly seven minutes. Murphy has done a perfect job of recreating 70s nostalgia and bringing it to modern music without losing an ounce of freshness.
03. Deerhunter | Halcyon Digest
To call a Deerhunter album light would just simply be wrong. However when I first listened to Halycon Digest, I thought my speakers were broken. There was no punching song like "Nothing Ever Happened" and that shoegaze tag no longer seemed appropriate. After repeated listens it became clear that this album was still drowned in noise, however this band has grown up. The harshness has been refined to elegance and where previous albums were covered in noise collages, Halcyon Digest is powered by stunning production. It may even be the case that Deerhunter has tricked an audience into believing this is their most accessible work to date, however tracks like "Desire Lines" and the epic closer "He Would've Laughed" just go to show that this band still have plenty of tricks up their sleeves and they can never be taken for granted.
04. Kanye West | My Beautiful Dark Twisted Fantasy
At the end of 2009, Kanye was celebrity enemy number 1. His ego seemed to have finally got the best of him. Then in June the legend returned. "Power" was a statement that Kanye was back ready to regain his place at the top. No more auto-tunned bullshit, just the rap attack over heavy samples that gave him a name in the first place. Over the course of the summer, his GOOD Friday singles built the anticipation to what would become My Beautiful Dark Twisted Fantasy. Nicki Manaj stole the show with her verse on "Monster" and when "Runaway" was debuted at the VMAs it was clear; Kanye was unstoppable. It is the kind of comeback that doesn't seem possible, then again that appears to be the way Kanye does everything. When people think it's too much he pushed it the extra step. This time everything paid off.

This was the record that gave me the most trouble at the beginning, yet had the biggest payoff. The daunting 18-tracks and over two hours were so intimidating that it took me almost two weeks to figure out how to approach this album. However when I finally dove in, I never wanted this record to end. After presenting the flawless Ys I wondered what Joanna would be able to produce next. Have One On Me was the perfect response. Epicly long tracks have become a Newsom staple and they do not disappoint here as proven by the title track, "Go Long" and the stunning "Good Intentions Paving Company". The glorious sounds that only Newsom can create come to life on this album in perhaps the most grandiose forms she has ever displayed.
06. Arcade Fire | The Suburbs
This was the album I listened to more than anything else all year. It was also the album that hit closest to home. Arcade Fire have continued to release amazing albums that have yet to disappoint. After headling two nights at Madison Square Garden, it really seems as if these Canadians have the indie world at the palm of their hands and it is only a matter of time before everyone else figures out. This is surely their longest album to date and the first to include tracks that I would consider skipping, however the grand statements made on "Rococo" "Half Light II" "We Used to Wait" and "Sprawl II" it makes me reconsider any reason I have for not liking something on this album. I can't recall an album before this one that I have been able to relate to in so many ways and I really hope it takes a while before this begins to fade.

Above anything else, this album wins best album name of the year (and possibly ever). It has often been said that Andre 3000 is the core member of the duo Outkast, however I challenge anyone to listen to this album and keep that opinion. After years of delay and record label disputes, Sir Lucious Left Foot... finally saw the light of day this summer. The funky southern sounds and dirty basslines are met with aggressive flow that only Big Boi can deliver and sound as fresh as any hip hop actually written in the past twelve months. The guest list can sometimes be questionable (Vonnegut?) but at other times almost majestic (Janelle Monae). This is southern hip hop at its finest. 1990s sounding tough R&B is paired with ferocious beats that leave only one thing to mind: What will Andre 3000 do next?
08. No Age | Everything In Between
2010's biggest sleeper album. After much anticipation to the follow-up of 2008's raucous Nouns, it seemed that after Everything In Between was released people simply forgot to talk about it. This album saw No Age make the progression to more straightforward rock songs and less of the tonal sounds of Nouns. There are less peaks and valleys on this album as the duo blended the sporadic looping drones and aggressive guitars into more of one distinguished sound. Randall's guitar shreds just as harshly on this record as anything he has done before, with the obvious nods to J Mascis and Thurston Moore, and established No Age as the supreme noise rock band of our time.
09. Ariel Pink's Haunted Graffiti | Before Today
Ariel Pink made the biggest shift in musical direction this year, as he left behind his avant guard noise jams for a stab at a psych-pop gem. While "Round and Round" seems to be the clear focus on the album, each track seems just as poppy as the last and any of them could fit in perfectly on a New Year's playlist. The vocal range on many of the tracks is impressive to say the least and the melodies suggest that Ariel could become a pop visionary if he ever desired to make anything inspired by soft rock songs of the 70s. Every time I go back to listen to this album I forget how much of it I remember and how much of it seems like I'm hearing for the first time. A true sign of perfection; instantly recognizable and forgetful the second it is over.

I think of all the albums on this list, this may be the one that made it at the last second. It barely beat out others that I gave some serious consideration, but in the end just missed the cut. From the beginning blasts of "Tell 'Em" this album screams fun. It became my summer jam as I listened to it on what seemed like endless subway rides through the city all summer. Yet no matter how hot it felt, this album was hotter. Every song is an instant party with the exception of stand alone slow jam "Rill Rill" and the album never lets up. As soon as the acoustic guitar loop fades, it goes right back to the high energy ballistic audio assault. And it never seems to end.
December 16, 2010
Beach House - "I Do Not Care For The Winter Sun"

For the finish to an already excellent year, album of the year contenders Beach House have posted a new song to their blog today entitled "I Do Not Care For The Winter Sun". This delicate new piece is "a winter/holiday song" which is great for all of the indoor lounging ahead in the next few weeks. The sultry tones of Victoria's vocals and Adam's thick guitar are the perfect remedy for the tundra like conditions gripping the nation at the moment and this tune is sure to fit in great on any holiday party mix.
mp3: Beach House - "I Do Not Care For The Winter Sun"
May 8, 2010
Beach House played Webster Hall
Summer finally hit New York City this past week just in time for a night of hazy pop music. Chillwave outfit Washed Out kicked things off with his bass heavy fuzz jams recalling 90s beats and lo-fi swirling vocals. The muddy choppy sounds were a fitting start to the majestic sounds that Beach House would soon deliver. As the opening sounds of "Walk in the Park" resonated through Webster Hall it was clear that the band had descended from the heavens and brought their silvery sparkled moon rock set with them. The drizzling guitar put the hall in a trance completely under the control of Victoria Legrand's booming cosmic voice. Of course certain numbers were the highlights of the evening, the set list comprised all of Teen Dreams. While all three albums were represented it was the new tunes that rocked Victoria onto the floor. We were even treated to the debut of a new song called "White Moon." The show was droning and melodic, but by the time "10 Mile Stereo" was ringing out the night, I had been won over. Everything from "Gila" to "Master of None" to Take Care" was brilliant; each a simple sun-drenched pop song.
Setlist:
Walk in the Park
Lover of Mine
Gila
Better Times
Norway
Silver Soul
Master of None
Astronaut
White Moon (new song)
Used to Be
Zebra
Heart of Chambers
Take Care
--
Real Love
10 Miles Stereo
March 10, 2010
Beach House - La Blogotheque
Straight off the success of perhaps their best, if not just equally great, album to date Teen Dream Baltimore dream-poppers Beach House appear on La Blogotheque. However instead of doing the standard take-a-way show, the group played an almost full set on Soiree de Poche. This almost half hour show highlights the truly majestic voice of Victoria and the lush sound of the slowly dripping guitar for which Beach House are loved. The hazy camera doesn't quite focus on the trio which really allows for the elegant floating sound to permeate your speakers and showcase what a brilliant sound this band is capable of producing.
Subscribe to:
Posts (Atom)