Showing posts with label LCD Soundsystem. Show all posts
Showing posts with label LCD Soundsystem. Show all posts
November 22, 2024
LCD Soundsystem played Knockdown Center (Night 1)
October 25, 2024
November 19, 2023
June 17, 2023
LCD Soundsystem, Jamie xx, and Idles played Forest Hills Stadium
RE:SET, the traveling summer music festival hit Forest Hills in Queens this weekend and kicked off with a killer set of dance-punk from Idles, Jamie xx, and a headlining hometown set from LCD Soundsystem.
December 7, 2022
LCD Soundsystem played Brooklyn Steel (Night 12)
For the second year in a row, LCD Soundsystem have descended upon Brooklyn Steel for their (seemingly) annual end of year residency.
September 30, 2022
LCD Soundsystem - "new body rhumba"
LCD Soundsystem have shared their first new song in five years and it's part of the soundtrack to Noah Baumbach's new film, White Noise.
December 12, 2021
December 4, 2021
December 2, 2021
November 25, 2021
December 22, 2017
Shows of 2017
In a year of what felt like total chaos, live music felt like a mental escape from the madness of real life. These were the shows that helped me break away from polarizing political moments and be overtaken by the positivity of the masses joined together by songs.
December 19, 2017
LCD Soundsystem played Brooklyn Steel
As they close in on their third and final residency of the year at Brooklyn Steel, LCD Soundsystem continue to prove that they're still a driving force to be reckoned with and their love for their hometown remains unwavering.
June 20, 2017
LCD Soundsystem played Brooklyn Steel
Just like they did in April, LCD Soundsystem's current residency at Brooklyn Steel focuses mostly on the hits, shares some new jams, and overall sees James Murphy and company firing away on all cylinders for a hypnotic night full of infectious grooves.
May 5, 2017
LCD Soundsystem - "Call the Police"
After announcing their reunion and headlining festivals around the world last year, LCD Soundsystem have finally shared brand new music.
April 8, 2017
LCD Soundsystem played Brooklyn Steel
Back from the dead, LCD Soundsystem have now entered year two of their reunion streak. In accordance with the opening of the new Williamsburg venue Brooklyn Steel, the band has taken up a brief residency to help test our new songs will still bringing the hits.
August 29, 2016
Ten Years | | Ten Songs
July 25, 2016
Panorama | 2016
For years, it felt as if there was a festival drought in the North Eastern part of the country. Now, after a few years of success with Governor's Ball, the people who bring you Coachella have thrown their hat into the mix with Panorama.
Labels:
Anderson .Paak,
Arcade Fire,
Blood Orange,
Broken Social Scene,
Ex Hex,
FKA twigs,
Julie Ruin,
Kurt Vile,
LCD Soundsystem,
Madlib Silversun Pickups,
Run the Jewels,
Sia,
Sufjan Stevens,
The National
August 29, 2011
OMG!NYC - 5 Years Later
Celebrating the first 5 years of OMG!NYC, I take a look back at the things that shaped the way I listen to music and how my taste and interests have changed over the past five years.
--
When I began writing this blog five years ago, the goal was to update people on life in New York and the primary focus was going to be on concerts I attended. Over the course of time, the focus has shifted from general events mostly surrounding music to a full functioning music journal. I'll begin this retrospective with a list of five shows I saw here in New York that had a profound impact on me. All of these performances were truly unique to New York and my time spent here over the past five years.
01. Arcade Fire | Judson Memorial Church | February 14, 2007
A little less than a month before Arcade Fire released their highly anticipated sophomore release Neon Bible, the Canadian baroque-pop outfit set out on a week long stand of shows at the intimate Judson Memorial Church on the southern tip of Washington Square Park. For five consecutive nights, the rising stars powered through hits from their already classic debut Funeral and previewed material from their forth-coming record. Since then, I've caught the band twice and at much larger settings (Radio City Music Hall and Madison Square Garden) and while the band has been just as impressive at all locations, no performance will ever be as special and as cherished as this one. Only feet from the stage, it was the opportunity of a life time to see these now titans perform in a space of which others could only dream.
02. My Bloody Valentine | Roseland Ballroom | September 22, 2008
The shoegaze juggernauts returned to the U.S. for their first non-festival performance in nearly fifteen years and I still have no words. The sheer volume unleashed by the quintet was legendary when they split in the nineties and the memories held up. For over an hour the noise pioneers shredded through cuts from their classic debut Isn't Anything and their groundbreaking masterpiece Loveless. Without hesitating, the band's opening chords ripped through the suggested ear plugs and the intensity never let up eventually culminating in the now monumental live rendition of "You Made Me Realise" which to this day leaves me wondering if my ears will ever be the same again.
03. Fever Ray | Webster Hall | September 28, 2009
I cannot remember another show that went off as flawlessly as when I saw Fever Ray. Making her solo U.S. debut, I had some doubts about the show merely due to the fact that it would occur in my least favorite venue in the entire city. However, when I have that thought now I am simply embarrassed. Fever Ray arrived amongst a haze of fog and donning an elaborate headdress that would make Bjork jealous. Her incredible voice melted the crowed and showed a true stage presence to which I have never seen matched. Her power on stage was unlike anything I have ever experienced and her ability to wield attention proved that even as a solo artist, her performances will leave people begging for a chance to see her live for years to come.
04. Phoenix (feat. Daft Punk) | Madison Square Garden | October 20, 2010
I do not know if there is anything left to be said about this show. After a near perfect set which set Phoenix atop the highest pedestal, it seemed as if the Frenchmen could not get any bigger here in the U.S. And then they invited Daft Punk to join them for an encore. Part of me still cannot believe they pulled off the surprise; suddenly the arena went dark... and then Daft Punk rose from the beyond. Part of me still cannot believe that I was actually there to see it happen in all of the glory. This was a truly special moment that in and of itself could be the sole post devoted to the past five years of this blog. It was as special of a moment as there could have been for me personally and I'm not sure if anything will ever be able to top it.
05. LCD Soundsystem | Terminal 5 | March 31, 2011
At the beginning of 2011, James Murphy threw in the towel for his short-lived but utterly fantastic band. For the final outing, his bandmates joined him for four consecutive nights of over the top (and over three hours!) renditions of practically every song one could hope the band to play. The final event was a spectacle at Madison Square Garden, but I caught his last 'smaller' performance at Terminal 5. The set was broken down into three sets (encore not included) which included everything from b-sides, 45:33 in it's entirety, and almost every other amazing LCD song. It was an emotional night as many of us would never hear these songs played live again (some had tickets to the final MSG performance) but in more ways it was a ceremony celebrating an amazing catalog of songs played with more heart than ever before.
--
The following songs left big impressions on me when they first came out for one reason or another and I still enjoy it when they come on the playlist. None of them were my favorite songs the year they were released and I believe all of them still fall just short, but they each still resonate with the same freshness as the first time they blasted through my speakers.
01. The Rapture | "Whoo! Alright, Yeah... Uh Huh"
I saw the Rapture perform a free show at the Apple Store in SoHo during my first month in New York. At the show, I was invited to be in the band's video for their new single "Whoo! Alright, Yeah... Uh Huh". For obvious reasons, I will always think fondly of this song and play at whatever party I can. Five years later, it still gets people on the dance floor and it still makes me think that New York is full of awesome surprises and the chance to be in a music video is right around the corner.
02. Crystal Castles vs. HEALTH | "Crimewave"
This song came at the height of mash-ups, but it was unlike anything else at the time.It was elctro, punk, noise, and dance all at once. Just like the Rapture, this song still gets people on the floor, but it is still as innovative as it was in 2007. Crystal Castles have since gained a higher fame and HEALTH (unfortunately as they have many other solid jams) might still be best known for this collaboration. Indie rock has not seen a meeting quite like this since the song's release and it does not seem likely that something of this nature will rise to this height any time soon.
03. Portishead | "Machine Gun"
Perhaps living in London when Portishead released their stunning Third is the reason I love that album so much, but more likely it is because of brilliant songs like "Machine Gun". Loud music had been in my collection since middle school, but it wasn't until this song that I realized music could be loud and aggressive without being hardcore. After this song blew my mind, I went back and listened to Liars, No Age, and Deerhunter and really began to digest noise music. Not only did this solidify Portishead as one of my favorite acts, but it opened my ears more so than anything else in the past five years.
04. Dirty Projectors | "Stillness is the Move"
I saw Dirty Projectors in 2008 and just did not understand what was happening on stage. A year later I heard this song and everything clicked. Well... everything clicked in the sense that everyone on this track sounds like they were playing a different song, but that was just it. It was so different (and still is) from almost anything else being released it had it's own place in time. I still have not heard a song that echos any part of this jam because it is so forward thinking that people are still trying to break it down enough to make their own imitations.
05. Deerhunter | "Helicopter"
There have been few artists as productive as Bradford Cox in recent years and none have reinvented themselves in so many ways. The studio masterpiece that is Halcyon Digest is another example of the ways that Bradford is a true audiophile taking each album to a new creative level. Perhaps the best part about the gorgeous guitar sweeps on "Helicopter" is how out of place it would sound on any other Deerhunter record, yet it is the backbone of their latest album. It is delicate, grandiose, and accessible and it still sounds like Deerhunter. Their song writing capabilities are so unique that every album is in another direction and still sounds like no one else.
--
I would like to thank anyone who takes the time to read this blog whenever I post. It really means a lot to me. I've been unbelievably fortunate to be featured on some of my favorite sites and have accomplished more than I ever thought possible with a simple blog. I hope to keep posting my favorite new music, reviewing amazing performances, and contributing to year end lists. Here is to another five years of OMGNYC and many more after that.
Keep it scene in the city.
--
When I began writing this blog five years ago, the goal was to update people on life in New York and the primary focus was going to be on concerts I attended. Over the course of time, the focus has shifted from general events mostly surrounding music to a full functioning music journal. I'll begin this retrospective with a list of five shows I saw here in New York that had a profound impact on me. All of these performances were truly unique to New York and my time spent here over the past five years.
01. Arcade Fire | Judson Memorial Church | February 14, 2007
A little less than a month before Arcade Fire released their highly anticipated sophomore release Neon Bible, the Canadian baroque-pop outfit set out on a week long stand of shows at the intimate Judson Memorial Church on the southern tip of Washington Square Park. For five consecutive nights, the rising stars powered through hits from their already classic debut Funeral and previewed material from their forth-coming record. Since then, I've caught the band twice and at much larger settings (Radio City Music Hall and Madison Square Garden) and while the band has been just as impressive at all locations, no performance will ever be as special and as cherished as this one. Only feet from the stage, it was the opportunity of a life time to see these now titans perform in a space of which others could only dream.
02. My Bloody Valentine | Roseland Ballroom | September 22, 2008
The shoegaze juggernauts returned to the U.S. for their first non-festival performance in nearly fifteen years and I still have no words. The sheer volume unleashed by the quintet was legendary when they split in the nineties and the memories held up. For over an hour the noise pioneers shredded through cuts from their classic debut Isn't Anything and their groundbreaking masterpiece Loveless. Without hesitating, the band's opening chords ripped through the suggested ear plugs and the intensity never let up eventually culminating in the now monumental live rendition of "You Made Me Realise" which to this day leaves me wondering if my ears will ever be the same again.
03. Fever Ray | Webster Hall | September 28, 2009
I cannot remember another show that went off as flawlessly as when I saw Fever Ray. Making her solo U.S. debut, I had some doubts about the show merely due to the fact that it would occur in my least favorite venue in the entire city. However, when I have that thought now I am simply embarrassed. Fever Ray arrived amongst a haze of fog and donning an elaborate headdress that would make Bjork jealous. Her incredible voice melted the crowed and showed a true stage presence to which I have never seen matched. Her power on stage was unlike anything I have ever experienced and her ability to wield attention proved that even as a solo artist, her performances will leave people begging for a chance to see her live for years to come.
04. Phoenix (feat. Daft Punk) | Madison Square Garden | October 20, 2010
I do not know if there is anything left to be said about this show. After a near perfect set which set Phoenix atop the highest pedestal, it seemed as if the Frenchmen could not get any bigger here in the U.S. And then they invited Daft Punk to join them for an encore. Part of me still cannot believe they pulled off the surprise; suddenly the arena went dark... and then Daft Punk rose from the beyond. Part of me still cannot believe that I was actually there to see it happen in all of the glory. This was a truly special moment that in and of itself could be the sole post devoted to the past five years of this blog. It was as special of a moment as there could have been for me personally and I'm not sure if anything will ever be able to top it.
05. LCD Soundsystem | Terminal 5 | March 31, 2011
At the beginning of 2011, James Murphy threw in the towel for his short-lived but utterly fantastic band. For the final outing, his bandmates joined him for four consecutive nights of over the top (and over three hours!) renditions of practically every song one could hope the band to play. The final event was a spectacle at Madison Square Garden, but I caught his last 'smaller' performance at Terminal 5. The set was broken down into three sets (encore not included) which included everything from b-sides, 45:33 in it's entirety, and almost every other amazing LCD song. It was an emotional night as many of us would never hear these songs played live again (some had tickets to the final MSG performance) but in more ways it was a ceremony celebrating an amazing catalog of songs played with more heart than ever before.
--
The following songs left big impressions on me when they first came out for one reason or another and I still enjoy it when they come on the playlist. None of them were my favorite songs the year they were released and I believe all of them still fall just short, but they each still resonate with the same freshness as the first time they blasted through my speakers.

I saw the Rapture perform a free show at the Apple Store in SoHo during my first month in New York. At the show, I was invited to be in the band's video for their new single "Whoo! Alright, Yeah... Uh Huh". For obvious reasons, I will always think fondly of this song and play at whatever party I can. Five years later, it still gets people on the dance floor and it still makes me think that New York is full of awesome surprises and the chance to be in a music video is right around the corner.

This song came at the height of mash-ups, but it was unlike anything else at the time.It was elctro, punk, noise, and dance all at once. Just like the Rapture, this song still gets people on the floor, but it is still as innovative as it was in 2007. Crystal Castles have since gained a higher fame and HEALTH (unfortunately as they have many other solid jams) might still be best known for this collaboration. Indie rock has not seen a meeting quite like this since the song's release and it does not seem likely that something of this nature will rise to this height any time soon.

Perhaps living in London when Portishead released their stunning Third is the reason I love that album so much, but more likely it is because of brilliant songs like "Machine Gun". Loud music had been in my collection since middle school, but it wasn't until this song that I realized music could be loud and aggressive without being hardcore. After this song blew my mind, I went back and listened to Liars, No Age, and Deerhunter and really began to digest noise music. Not only did this solidify Portishead as one of my favorite acts, but it opened my ears more so than anything else in the past five years.

I saw Dirty Projectors in 2008 and just did not understand what was happening on stage. A year later I heard this song and everything clicked. Well... everything clicked in the sense that everyone on this track sounds like they were playing a different song, but that was just it. It was so different (and still is) from almost anything else being released it had it's own place in time. I still have not heard a song that echos any part of this jam because it is so forward thinking that people are still trying to break it down enough to make their own imitations.

There have been few artists as productive as Bradford Cox in recent years and none have reinvented themselves in so many ways. The studio masterpiece that is Halcyon Digest is another example of the ways that Bradford is a true audiophile taking each album to a new creative level. Perhaps the best part about the gorgeous guitar sweeps on "Helicopter" is how out of place it would sound on any other Deerhunter record, yet it is the backbone of their latest album. It is delicate, grandiose, and accessible and it still sounds like Deerhunter. Their song writing capabilities are so unique that every album is in another direction and still sounds like no one else.
--
I would like to thank anyone who takes the time to read this blog whenever I post. It really means a lot to me. I've been unbelievably fortunate to be featured on some of my favorite sites and have accomplished more than I ever thought possible with a simple blog. I hope to keep posting my favorite new music, reviewing amazing performances, and contributing to year end lists. Here is to another five years of OMGNYC and many more after that.
Keep it scene in the city.
April 1, 2011
LCD Soundsystem played Terminal 5
For their last night at Terminal 5 (and 2nd to last show ever!), LCD Soundsystem certainly let their emotions run wild. Thanking the crowd numerous times for coming out to say goodbye and apologizing for not playing certain songs in years, James Murphy let his sensitive side shine through. For nearly three and a half hours, the band played as much of their discography as might of been humanly possible proving to be a true test of endurance by not only the crowd, but the band as well. The beyond epic performance was broken into three chunks, the middle section being 45:33 with "Sounds of Silver" thrown into the middle, and the rest of it was hit after hit. Turns out they do make hits indeed. Opening the show with the first two tracks of This Is Happening started off this insane dance party that would only halt for the occasional sensational ballad. When Murphy belted "To tell the truth / This could be the last time" a wave of sadness rushed over the crowd as many would indeed being hearing these numbers for the final time. However, the next lyrics "So here we go / Like a salesforce into the night" sparked a sensation that would carry throughout the rest of the evening. Suddenly everyone felt as if their were amongst their truest friends. For years Murphy has been claiming that he is losing his cool, yet no one young or old seems to be able to put on a show quite like him and his friends. If this truly is the end of this might band, then what a legacy it is they are leaving behind. Their entire career was accounted for tonight and it all felt as fresh as ever. The muscular guitar of "All I Want", the pulsating thumps of "Someone Great", the ferocious lists of "Losing My Edge", and the instant classic piano of "All My Friends" span such a range of emotions that are disastrously difficult to invoke in a crowd, yet tonight I was there. These emotions are only the kind one seems to get when someone great is gone.
Setlist:
1. Dance Yrself Clean
2. Drunk Girls
3. I Can Change
4. It's Time to Get Away
5. Get Innocuous
6. Daft Punk is Playing at My House
7. Too Much Love
8. All My Friends
--
9. 45:33 (Part One)
10. 45:33 (Part Two)
11. Sounds of Silver
12. 45:33 (Part Four)
13. 45:33 (Part Five)
14. 45:33 (Part Six)
15. Freak Out/Starry Eyes
--
16. Us v. Them
17. North American Scum
18. You Wanted a Hit
19. Tribulations
20. Movement
21. Yeah
--
22. Someone Great
23. Losing My Edge
24. Home
--
25. All I Want
26. Jump Into the Fire (Harry Nilsson cover)
27. New York I Love You, But You're Bringing Me Down
Setlist:
1. Dance Yrself Clean
2. Drunk Girls
3. I Can Change
4. It's Time to Get Away
5. Get Innocuous
6. Daft Punk is Playing at My House
7. Too Much Love
8. All My Friends
--
9. 45:33 (Part One)
10. 45:33 (Part Two)
11. Sounds of Silver
12. 45:33 (Part Four)
13. 45:33 (Part Five)
14. 45:33 (Part Six)
15. Freak Out/Starry Eyes
--
16. Us v. Them
17. North American Scum
18. You Wanted a Hit
19. Tribulations
20. Movement
21. Yeah
--
22. Someone Great
23. Losing My Edge
24. Home
--
25. All I Want
26. Jump Into the Fire (Harry Nilsson cover)
27. New York I Love You, But You're Bringing Me Down
February 15, 2011
LCD Soundsystem played The Colbert Report
By now I'm sure you've heard that on April 2nd, LCD Soundsystem will play their last ever show and it will take place at the world's most famous area, Madison Square Garden (Apparently the Strokes will play host the night before?). The week leading up to the show will see the band playing four nights at the smaller Terminal 5 in a week long final send off. Last night, the band played their final television performance on The Colbert Report. After three epic albums, these guys will be sorely missed.
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