Dirty Projectors - "Little Bubble"

Following the recent single "Keep Your Name," Dirty Projectors have shared another new song called "Little Bubbles." It's a soft ballad full of heartache and wonder. A perfect surmise of the emotions heading into the new year.

Dirty Projectors - "Gun Has No Trigger"

Brooklyn psych-pop wizards Dirty Projectors will release the follow-up to one of my favorite albums from 2009 this coming Spring (supposedly). To get you in the mood, the band has posted a new track "Gun Has No Trigger" to their SoundCloud page. You can check it out below:

OMG!NYC - 5 Years Later

Celebrating the first 5 years of OMG!NYC, I take a look back at the things that shaped the way I listen to music and how my taste and interests have changed over the past five years.

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When I began writing this blog five years ago, the goal was to update people on life in New York and the primary focus was going to be on concerts I attended. Over the course of time, the focus has shifted from general events mostly surrounding music to a full functioning music journal. I'll begin this retrospective with a list of five shows I saw here in New York that had a profound impact on me. All of these performances were truly unique to New York and my time spent here over the past five years.

01. Arcade Fire | Judson Memorial Church | February 14, 2007

A little less than a month before Arcade Fire released their highly anticipated sophomore release Neon Bible, the Canadian baroque-pop outfit set out on a week long stand of shows at the intimate Judson Memorial Church on the southern tip of Washington Square Park. For five consecutive nights, the rising stars powered through hits from their already classic debut Funeral and previewed material from their forth-coming record. Since then, I've caught the band twice and at much larger settings (Radio City Music Hall and Madison Square Garden) and while the band has been just as impressive at all locations, no performance will ever be as special and as cherished as this one. Only feet from the stage, it was the opportunity of a life time to see these now titans perform in a space of which others could only dream.

02. My Bloody Valentine | Roseland Ballroom | September 22, 2008

The shoegaze juggernauts returned to the U.S. for their first non-festival performance in nearly fifteen years and I still have no words. The sheer volume unleashed by the quintet was legendary when they split in the nineties and the memories held up. For over an hour the noise pioneers shredded through cuts from their classic debut Isn't Anything and their groundbreaking masterpiece Loveless. Without hesitating, the band's opening chords ripped through the suggested ear plugs and the intensity never let up eventually culminating in the now monumental live rendition of "You Made Me Realise" which to this day leaves me wondering if my ears will ever be the same again.

03. Fever Ray | Webster Hall | September 28, 2009

I cannot remember another show that went off as flawlessly as when I saw Fever Ray. Making her solo U.S. debut, I had some doubts about the show merely due to the fact that it would occur in my least favorite venue in the entire city. However, when I have that thought now I am simply embarrassed. Fever Ray arrived amongst a haze of fog and donning an elaborate headdress that would make Bjork jealous. Her incredible voice melted the crowed and showed a true stage presence to which I have never seen matched. Her power on stage was unlike anything I have ever experienced and her ability to wield attention proved that even as a solo artist, her performances will leave people begging for a chance to see her live for years to come.

04. Phoenix (feat. Daft Punk) | Madison Square Garden | October 20, 2010

I do not know if there is anything left to be said about this show. After a near perfect set which set Phoenix atop the highest pedestal, it seemed as if the Frenchmen could not get any bigger here in the U.S. And then they invited Daft Punk to join them for an encore. Part of me still cannot believe they pulled off the surprise; suddenly the arena went dark... and then Daft Punk rose from the beyond. Part of me still cannot believe that I was actually there to see it happen in all of the glory. This was a truly special moment that in and of itself could be the sole post devoted to the past five years of this blog. It was as special of a moment as there could have been for me personally and I'm not sure if anything will ever be able to top it.

05. LCD Soundsystem | Terminal 5 | March 31, 2011

At the beginning of 2011, James Murphy threw in the towel for his short-lived but utterly fantastic band. For the final outing, his bandmates joined him for four consecutive nights of over the top (and over three hours!) renditions of practically every song one could hope the band to play. The final event was a spectacle at Madison Square Garden, but I caught his last 'smaller' performance at Terminal 5. The set was broken down into three sets (encore not included) which included everything from b-sides, 45:33 in it's entirety, and almost every other amazing LCD song. It was an emotional night as many of us would never hear these songs played live again (some had tickets to the final MSG performance) but in more ways it was a ceremony celebrating an amazing catalog of songs played with more heart than ever before.

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The following songs left big impressions on me when they first came out for one reason or another and I still enjoy it when they come on the playlist. None of them were my favorite songs the year they were released and I believe all of them still fall just short, but they each still resonate with the same freshness as the first time they blasted through my speakers.

01. The Rapture | "Whoo! Alright, Yeah... Uh Huh"

I saw the Rapture perform a free show at the Apple Store in SoHo during my first month in New York. At the show, I was invited to be in the band's video for their new single "Whoo! Alright, Yeah... Uh Huh". For obvious reasons, I will always think fondly of this song and play at whatever party I can. Five years later, it still gets people on the dance floor and it still makes me think that New York is full of awesome surprises and the chance to be in a music video is right around the corner.

02. Crystal Castles vs. HEALTH | "Crimewave"

This song came at the height of mash-ups, but it was unlike anything else at the time.It was elctro, punk, noise, and dance all at once. Just like the Rapture, this song still gets people on the floor, but it is still as innovative as it was in 2007. Crystal Castles have since gained a higher fame and HEALTH (unfortunately as they have many other solid jams) might still be best known for this collaboration. Indie rock has not seen a meeting quite like this since the song's release and it does not seem likely that something of this nature will rise to this height any time soon.

03. Portishead | "Machine Gun"

Perhaps living in London when Portishead released their stunning Third is the reason I love that album so much, but more likely it is because of brilliant songs like "Machine Gun". Loud music had been in my collection since middle school, but it wasn't until this song that I realized music could be loud and aggressive without being hardcore. After this song blew my mind, I went back and listened to Liars, No Age, and Deerhunter and really began to digest noise music. Not only did this solidify Portishead as one of my favorite acts, but it opened my ears more so than anything else in the past five years.

04. Dirty Projectors | "Stillness is the Move"

I saw Dirty Projectors in 2008 and just did not understand what was happening on stage. A year later I heard this song and everything clicked. Well... everything clicked in the sense that everyone on this track sounds like they were playing a different song, but that was just it. It was so different (and still is) from almost anything else being released it had it's own place in time. I still have not heard a song that echos any part of this jam because it is so forward thinking that people are still trying to break it down enough to make their own imitations.

05. Deerhunter | "Helicopter"

There have been few artists as productive as Bradford Cox in recent years and none have reinvented themselves in so many ways. The studio masterpiece that is Halcyon Digest is another example of the ways that Bradford is a true audiophile taking each album to a new creative level. Perhaps the best part about the gorgeous guitar sweeps on "Helicopter" is how out of place it would sound on any other Deerhunter record, yet it is the backbone of their latest album. It is delicate, grandiose, and accessible and it still sounds like Deerhunter. Their song writing capabilities are so unique that every album is in another direction and still sounds like no one else.

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I would like to thank anyone who takes the time to read this blog whenever I post. It really means a lot to me. I've been unbelievably fortunate to be featured on some of my favorite sites and have accomplished more than I ever thought possible with a simple blog. I hope to keep posting my favorite new music, reviewing amazing performances, and contributing to year end lists. Here is to another five years of OMGNYC and many more after that.

Keep it scene in the city.

Phoenix, Dirty Projectors, Daft Punk played MSG

Having not seen Dirty Projectors since the release of their epic album Bitte Orca, I was excited for their opening slot before Phoenix. The band sounded great and the angular guitar work and disjointed vocals translated well to their larger than normal venue size. The fluttering instrumentation which made me apprehensive the first time around, transcended all expectations I had for the evening.

While Dirty Projectors played an all too brief set, the night seriously belonged to Phoenix... at first. Pitchfork claims it was the best Phoenix show ever. Their sugary-sweet synth-pop jams exploded from the speakers. They were amazingly tight and played a near perfect set list. From the opening of "Lisztomania" the frenchmen dazzled their way through a stunning light show and packed in hit after hit. However just when it seemed as if the night couldn't get better DAFT PUNK took the stage. I personally was in a stage of euphoria. After three years of silence, the electro legends made a mind-blowing come back by gracing the stage with Phoenix and ripping through "Harder, Better, Faster, Stronger/Around the World" and a live remix of the best version of "1901" that will ever be heard. As they all jammed together the crowd went into an utter frenzy. It was a stunning end to a fantastic (and what will become legendary) show for a band that has reached a whole new level. This will be hard to top.

Set-list:
Lisztomania
Lasso
Long Distance Call
Fences
Girlfriend
Armistice
North
Love Like a Sunset
North North North
Rally
Rome
Funky Squaredance
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If I Ever Feel Better
Harder, Better, Faster, Stronger / Around the World
1901

Albums of 2009

One of my favorite parts of the end of the year are all of the year end lists posted by various blogs, magazines, and other websites. I think it's one of the best ways to catch up on notable releases throughout the year and reconsider some music I brushed off after one listen. So here are the ten albums I enjoyed the most in 2009.

01. Grizzly Bear | Veckatimest
It is hard to say that Veckatimest was a refreshing hit when it was released in the spring since two of the singles had already been receiving heavy blog play for almost a year. However this album packed a subtle punch that proved it's strength after repeated listens. Taking the ambient and orchestrated sounds of Yellow House, the four piece expanded their well crafted tunes into perfect pop snippets blended with clever arrangements of striking guitar and topsy-turvey percussion.


02. Animal Collective | Merriweather Post Pavillion
There has been apparent love for this album since it leaked at the end of 2008 and it has all been warranted. Animal Collective have been some of the hardest working musicians of the decade and MPP has been a sort of culmination record most bands dream of making. They take their strong ability to mix together folk/jam/noise efforts into pop appeal for the masses in what is their most accessible album to date.



03. Dirty Projectors | Bitte Orca
No one has timing like this band. Nothing on this album happens in the way that you would expect and that is probably the reason why one can listen to it over and over and never hear the same thing twice. The swaying vocals and off kilter guitar jams are pure art rock and the vocal work is nothing shy of a Mariah Carey R&B hit. The fact that this band can make those two things fit together is pretty impressive.



04. The xx | xx
On paper (or computer screen) nothing about this record sounds exciting. It is hollow, quiet, simple, yet oh so powerful. These London teens recall overcast 80's British post-punk and add in some dub-step for one of the most daringly plain yet understated records of the year. It seems that this record should satisfy after one listen since it is so bleak, yet the ability to draw back repeat listens is nothing short of genius.

05. Phoenix | Wolfgang Amadeus Phoenix
For almost a decade, Phoenix has written jubilant indie-pop smashes that have always held them just at the cusp of fame. This time around, their savvy synths launched them to stardom. "1901" and "Lisztomania" were two of the biggest pop songs of the year and the best 1-2 punch to kick off an album in recent memory. They have the rock sensibility of the Strokes and a John Hughes synth-pop power that stretches just enough past the indie scale that made these guys the biggest sensation of the year.



06. Fever Ray | Fever Ray
When the Knife released Silent Shout in 2006 the album was sighted as icy, synth driven electronica. Well that album was the avalanche and Fever Ray is the tundra. These slow driven, pulsating sounds are the calm after the storm, but are just as harsh and dense as anything that has come before it.





07. Japandroids | Post-Nothing
This Vancouver duo takes you front and center in the garage and power through eight songs of pure teen angst that combines harsh fuzzed out guitars with simple hooks and melodies. Never have two youngsters given so much grief towards aging past 25 and so much hope to live life to the fullest all at the same time. What could be better than getting to France to french kiss some French girls? Not much, but listen to this album until the flight leaves.

08. Girls | Album

Christopher Owens, the main man behind garage-surf-pop band Girls, is just as unsure about his future as you and me. The only catch, his band is rising to fame for their acclaimed songwriting not only in terms of melody, but lyricism as well. Their tunes breeze by yet their disheveled lives catch-up to them and songs begin to contort into rocking bliss. Is Owens ready to step up as the next promising artist of his generation? Probably not, but he'll take a stab at in anyway.

09. The Pains of Being Pure at Heart | The Pains of Being Pure at Heart
Take one part Belle and Sebastian, one part The Smiths, and one part My Bloody Valentine and you will have yourself one whole The Pains of Being Pure at Heart. These dream-pop songs have the freshness of 2009 with the nostalgia of 1989. The hooks are monstrous and the jangly shoegaze guitar bleed in with the vocals creating this haze of beautiful pop melody.



10. Lightning Bolt | Earthly Delights
Never have two people ever sounded as loud as Lightning Bolt. The obnoxiously loud bass drones of Brian Gibson are matched by the ballistically brilliant Brian Chippendale in one of the most aggressive attacks on a drum kit (and attacks on music) I have ever heard. This album is certainly not for everyone and might be the hardest to approach on this list, but for those willing to take the journey, Lightning Bolt can certainly take your ears to places they have never been before.

Solange covers Dirty Projectors

Back in June I raved about the new single from Dirty Projectors and since then it has become one of the most blogged about songs of the year and still remains one of my favorites of the year. Now the love for the song has spread. Recently New York (that's the magazine) called it the best song from Brooklyn and now Solange Knowles, who has that famous sister, has covered the song. From its release, the song has been called an R&B song for the indie kids and Solange handles the R&B with great skill. As a friend recently said "those knowles girls, love 'em." (Image and mp3 via Stereogum.)

mp3: Solange - "Stillness is the Move (Dirty Projectors cover)"

Dirty Projectors - "Stillness Is The Move"

When I saw Dirty Projectors open for Battles last spring in London I will admit that I was less the amazed. I was unsure of what to think after their set and somewhat disappointed due to their hype. Recently some these guys have been getting some heavy blog press so I gave their album Bitte Orca a listen and have had a complete change of heart. Their sound is so fresh and different from everything happening right now. The first single "Stillness Is The Move" was released in April and has been on heavy rotation for me as of late. The twangy guitar, off kilter drum beats, R&B influence, and killer vocal work all come together so well. This song is just one off many classics on the album. They currently are on tour with fellow Brooklyn band TV on the Radio and will play a free show in July.

mp3: Dirty Projectors - "Stillness Is The Move" (Live at SXSW)

Battles played Astoria

It had been a while since I had seen a show so I was particularly excited tonight when I went to see Battles. Mirrored was one of my favorite albums of last year so I couldn't wait to see these tracks live.
The opening acts were also something I was looking forward to seeing. British band Fuck Buttons opened the show and I must say these guys were as impressive as they could be considering the way in which these guys make music. There is only so much two guys mixing sonic sounds of swirling samples can accomplish in a live act, yet these guys were pretty good. They mixed stuff up and had some really killer beats that got the crowd moving. Overall I was left with the same feeling I get off their record. These guys build some killer sound, but it doesn't seem to go anyway. I keep waiting for it to peak and it never quite does. Still I was impressed with what I saw.
Originally Liars was supposed to take the second slot, but they had to back out in order to open for Radiohead. Instead they were replaced with Dirty Projectors, a band I knew nothing about. Even now after seeing them I'm not too sure what to think. I was not sure what I was supposed to walk away with afterwards. They had some great female harmonies, a eccentric drum with some really awesome beats, and a guitar player that jumped all over the stage. In the end I wasn't really sure what I was supposed to take away from the performance. It seemed as if too much was going on for me to really be able to take in the band as a whole.
When Battles took the stage I was in complete awe. Their recordings are such intricate works of art that I was unsure of how they would translate live, but I was anything but disappointed. They were one of the tightest bands I have ever seen and performed more like a well-oiled machine then a band. Just watching them was amazing let a lone the sounds they were producing. They started things off a little slowly, but eventually built things up and had the place rocking. From the time "Rainbow" came out of the speakers until the end the place didn't stop rocking.