Robin Pecknold played Bowery Ballroom (Night 1)

On his first, and possibly last(?), solo tour, Fleet Foxes lead singer Robin Pecknold illuminated the Bowery Ballroom with a stunning performance of intimate magic and pure wonder.

Fleet Foxes - "A Sky Like I've Never Seen"

Fleet Foxes return with a one-off single from an upcoming Amazon Prime documentary, Wildcat.

Fleet Foxes played Forest Hills Stadium

Fleet Foxes wrapped up their 2022 North American tour on a gorgeous summer night with a stunning show at Forest Hills Stadium in Queens.

Fleet Foxes - 𝙎𝙝𝙤𝙧𝙚

Fleet Foxes have shared Shore, their first new album since 2017's Crack-Up and another incredible chapter in their pristine discography.

Fleet Foxes played Prospect Park

On a perfect summer evening, Fleet Foxes came back to Brooklyn to serenade Prospect Park in promotion of their third full-length, Crack-Up.

Fleet Foxes - “Third of May / Ōdaigahara”

Fleet Foxes have announced Crack-Up, their third album and first since 2011. It's out June 16th via Nonesuch.

omg-nyc's albums of 2011

Continuing with my end of the year lists, here are my favorite albums of 2011. I'll finish things up next week with guest lists, but in the mean time Happy Holidays!
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10. The Weeknd | House of Balloons
Almost over night, The Weeknd became 2011's big name in post-dubstep R&B. Spitting stylized rhymes over warped Beach House samples and embodying the essence of elusive and ever so smooth textures, the Toronto crew set forth an enigma that filed the black and white shadows and smoke filled beats of this self release mix-tape with uncanny ambition and strokes of genius that left the biggest names in the game wishing they could reach the level of this soulful conundrum. Silky smooth vocals over boisterous bass lines have become signature moves and although a lesser follow-up emerged later in the year (Echoes of Silence withstanding), the sultry swagger put forth is still grabbing attention.

09. Girls | Father, Son, Holy Ghost
Christopher Owens will be the first to admit that Girls is the ultimate nostalgia ridden rock band in recent years. Rollicking riffs recalling the 1950s underline the duo's expansive follow-up to their impressive debut and displays the group reaching to new heights as showcased in the scorching "Die" and the shuffling "Alex" and "Love Like a River". Yet it's the classic crooning in "Vomit" that really displays the tremendous growth the band has made in such a short amount of time. While old school vices are certainly a prominent presence in the band's day to day life style which are clearly hinted at numerous times in Owens' lyrics, the bouncy and youthful flow of each track ads to the ambiance and mystery of any great rock and roll band.

08. WU LYF | Go Tell Fire to the Mountain
Early comparisons to Wolf Parade and Explosions in the Sky almost neglect the true originality of these Manchester natives who are daring enough to name themselves for Lucifer and greet listeners with a mighty howl worthy of any basement and far from the rungs of Radio City where the later comparison played a milestone performance earlier this year. Towering guitars are battered amongst vocals sifted through gravel as leader Ellery Roberts bellows over marching drums that come together at all the right moments before falling apart into intimate grooves all of which scream for camraderie and cult like tendencies that sit quite well with the trends of 2011.

07. James Blake | James Blake
Anyone who spent the year listening to this record through earbuds or laptop speakers has done themselves an incredible disservice. The majesty of Blake's songwriting skills might have actually been the biggest surprise on this record as his bombastic bass, warped beats, and suspended angelic vocals allowed for so much open space that his lyrics were able to fill an incredible void. The haunting crevices of emptiness, vacuum sucked emotions and brought frenzied distilled warbled production to the forefront and showcased that not only is Blake able to carry the weight of comparisons to the legendary electronic acts of Burial and Aphex Twin, but also prove that covering Joni Mitchell and Feist is right up his alley as well.

06. tUnE-yArDs | W H O K I L L
Through intricate loops of horn blasts, punching percussion, sqwaks, and steely guitar, Merrill Garbus produced a cacophony of tribal beats and worldly jams for one of the most infectious records of the years that simply screams 'party' with more enthusiasm than any other record this year. Her unique ability to create monumental moments that seem to climax into euphoria just before crumbling back into non-sequitar jams draws easy comparisons to Dirty Projects' 2009 classic Bitte Orca. However, the tribal tendencies exhuded by Garbus seem to end those comparisons in an immediate fashion. While Dirty Projectors exhibit a more invitation only sound, tUnE-yArDs live by the more the merrier attitude. Garnished in face paint and eccentric outfits (which many audience members replicate), Garbus has invited everyone to the party and serves as a great reminder that there is plenty worth gathering about and making some serious commotion along the way.

05. Real Estate | Days
On their sophomore record, Brooklyn-via-New Jersey upstarts Real Estate put some polish on their lackadaisical rhythms and set their guitars on cruise control for countless wasted miles. Sun-soaked intertwining guitars and simple melodies evoke soft spoken 70s rock and quintessential indie rock while hopelessly embracing the nostalgia of endless suburban settings. Tranquil and flowing vocals spill over effortlessly cool guitar licks that somehow never seem to grow repetitive and offer some of the most breezy songs of the year fit for all of your aimless drives.

04. Iceage | New Brigade
With slashing guitars that echo Wire and Gang of Four, these Danish teens broke onto the scene in 2011 before anyone even knew what they looked like or could figure out that the band name was actually just one word. Known for their abbrasive, loud, short (hell, the album doesn't even crack 25 minutes), and often bloody live performances, the hardcore quartet made quite the name for themselves and even landed a spot opening for Fucked Up on one of their first U.S. shows. Without giving anyone a second to breathe, they reinvigorated gloomy post-punk with a fresh D.I.Y. twist and in a year in which there was plenty to rebel against, helped give punk rock a refreshing face-lift.

03. Panda Bear | Tomboy
By now it should come to no surprise that Noah Lennox (better known as Animal Collective's Panda Bear) is a true master of sonic texture and layering sample over sample to create some of the most hymnal and sharp drones in indie music. Ditching the sprawl of Person Pitch's epic track lengths in favor for some more traditional times, Panda Bear was able to achieve some of the most mutilating sonic compositions of the year. Reverb soaked guitar drenched skewed sampled and still allowed for Panda Bear to be as questioning and charismatic as ever before, while still sailing forth into uncharted territory. More accessible pop opportunities that exist on his previous releases (both solo and as part of the collective) are not as apparent as one might have expected, this album is truly for the patient listener, however if you think you can guess what Lennox is going to do next, you have a lot to learn.

02. M83 | Hurry Up, We're Dreaming
Anthony Gonzalez did not do himself any favors when he described his new album as "very, very, very epic" months before it was officially released. However, when lead single "Midnight City" hit the internet this summer, he seemed to turn any doubters into believers and when the double album dropped this fall, anyone still on the fence seemed to leap over in excitement. Combining soaring shoegaze guitars reminiscent from his early (and also phenomenal) work and the recent styles that reflected John Hughes' film soundtracks, Gonzalez and company complied over twenty intergalactic jams that launch listeners into the cosmos without retreading on a single note from the past. Upon first listen, a friend said to me "I wouldn't be surprised if this launches them to the next level" and that is exactly what this album has done.

01. Fleet Foxes | Helplessness Blues
"I'll have so much to tell you about" only begins to describe the journey Fleet Foxes set out to embark upon this year with the release of their second record. The liner notes describe ring leader Robin Pecknold as a 'prophet' and after joining the band's celestial voyage through the lens of a wide-eyed walker wandering towards the dawn, it is difficult to argue this statement. Even with a band as profound as Fleet Foxes, the gang is still full of wonder and uncertainty that fulfills the listener with incredible amounts of hope and aspiration that the wonders of an illustrious rock band seem to be the furthest thing from their minds. Dreams of working til you're sore and soon owning the store are not those typically associated with the most promising musical group in recent time, however that seems to be where Fleet Foxes separate themselves from the rest of the pack. These woodsman are still longing for a person as bewildered by the world and as full of imagination as they are and they present their joyous ambitions through golden autumnal melodies and voices as pristine as the lights hung in the night sky.

Fleet Foxes played the Williamsburg Waterfront

After witnessing the best way to see the Walkmen (gorgeous orange-lit skies over Manhattan and golden glows back-lighting the band), according to Robin Pecknold, Fleet Foxes gathered on stage to begin a triumphant set that covered nearly every song in the band's catalog. The evening kicked off with "The Plans / Bitter Dancer" before a well received "Mykonos" in which the band displayed their epic vocal powers and supreme melodies. The band left nothing behind as they churned out fantastic displays from both their notable self-titled debut and the likely to be album of the year, Helplessness Blues. With true grace, the band delivered majestic vocals and autumnal lighting added extra warmth to their beautiful tunes. The marching rhythm of "Battery Kinzie" and mesmerizing vocals of the 1-2 punch "White Winter Hymnal" -> "Ragged Wood" segue delighted the crowed allowing for massive vocal response that was no match for the elegance of Fleet Foxes. Witty banter rose between songs, J. Tillman really likes brunch it turns out, and showed a less serious side of the band which transitioned to serious concentration for each flawless song of the evening. The band ended the main set in the same fashion of their brilliant sophomore display, stunning vocals ended the evening in the true spirit of the band. While many contemporary bands are trying to make vocal harmonies in spirit of the Beach Boys, this band has invented a whole new approach making them classics in their own write. Robin graced the stage for a solo track to kick off the encore before finishing the evening with a rousing rendition of "Helplessness Blues". The band was in stunning form last evening bringing summer to an end and ushering in autumn in the most appropriate way.

Set List:
1. The Plans / Bitter Dancer
2. Mykonos
3. English House
4. Battery Kinzie
5. Bedouin Dress
6. Sim Sala Bim
7. Your Protector
8. White Winter Hymnal
9. Ragged Wood
10. Montezuma
11. Lorelai
12. He Doesn't Know Why
13. The Shrine / An Argument
14. Blue Spotted Tail
15. Grown Ocean
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16. I Let You
17. Sun Also Rises
18. Blue Ridge Mountains
19. Helplessness Blues

Fleet Foxes - "Helplessness Blues"

Fleet Foxes - Helplessness Blues by subpop

Fleet Foxes will release the follow-up to their epic self-titled debut on May 3rd via Sub Pop. The title track is now available and has the same familiar harmonized sound people have come to love from this band. Hopefully the momentum holds up.

Top Ten Albums of 2008

Thins got busy in December including school, work, finals, seeing Neil Young, Wilco, and CSS and then the holidays and of course the start of 2009. So in order to kick this year off I'm listing my top 10 albums of 2008.

1. Portishead | Third
Portishead made one of the most daring moves of the year. They could either: return and reclaim their greatness with just replaying all of their old classics or they could attempt to put out their first album in over a decade and hope it matched the brilliance of their previous records. They took the chance and killed all odds. This album touched upon all the greatness that Portishead had left on over a decade ago and went even further. They touched everything from trip-hop on “The Rip” to industrial on “Machine Gun” and finally folkie on “Deep Water”. They took tremendous risks and never looked back, but then again how could you with a voice like that.

2. Fleet Foxes | Fleet Foxes
From the opening harmonies it was hard to deny that this was going to be one of my most listened to records of the year. Everything on it just seemed to flow together so well. The voices are pristine, the rhythms are simple, and the lyrics are touching. It’s folk rock with a southern tinge at it’s finest.

3. TV on the Radio | Dear Science
For the follow up to my favorite album of 2006, TV on the Radio left nothing to chance. Dear Science is everything I love about this band. It’s chopping, crunchy, funky, dissonant and smooth all at the same time. It’s all over the place, but in a concentrated way. They challenge you to listen closely at all they do and they pay the closest attention to detail so why doesn’t the listener?

4. No Age | Nouns
5. Deerhunter | Microcastle
6. M83 | Saturdays = Youth
7. Sigur Rós | Með suð í eyrum við spilum endalaust
8. Beach House | Devotion
9. Vampire Weekend | Vampire Weekend
10. Santogold | Santogold

Fleet Foxes played Webster Hall

Fleet Foxes have been getting a lot of buzz as of late due to the success of their self titled debut LP and great live shows and last night helped fuel the fire. The tremendous harmonies that these guys create translated from the studio to the stage with great perfection, even for the acoustic impaired Webster Hall. Along with great tunes, these guys are also just plain funny and had great interaction with the audience, which is lost among most performers. Before even launching into their first song, they shared some witty banter with the audience about how Webster Hall sounded more like a CW show then a venue. However when they finally kicked into music mode their voices melted the audience. I think these guys could blow away a crowd if they just did everything acapella and last night's show gave us more of that treat. Their voices and song writing ability are clearly their strong points, yet as soon as they jammed into "White Winter Hymnal" and "Ragged Wood" they showed that they clearly were just a great band and have the whole package. These songs are really where they shine and are able to put forth their best work. It just seems so cohesive and right when the melodies, harmonies, and lyrics just blend together. As their main set ended with "Mykonos" off the Sun Giant EP they broke down the ending into great vocal parts and really just set the mood for the entire evening and proved that despite their growing popularity these guys need to stick to small intimate venues where the audience can really be fully engulfed by what these guys are doing; something lost by bigger auditoriums.


new song

set list:
Sun Giant/Sun Rises
Drops in the River
English House
White Winter Hymnal
Ragged Wood
Your Protector
Crayon Angels (Judee Sill Cover)
Oliver James
Quiet Houses
He Doesn't Know Why
Mykonos
Katie Cruel (Traditional) - unplugged!
Tiger Mountain Peasant Song
Silver City - new song!
Blue Ridge Mountains

Fleet Foxes - White Winter Hymnal

In a year which I have been very challenged for good new music, Fleet Foxes has been a clear front runner. Their Sun Giant EP gave me a good first impression and now their self titled full length is in top running for my album of the year. The video for the second track off their full length has been a recent highlight for me and reminds me of Bjork's "Wanderlust" so check it out. They recently announced a fall tour, but the Webster Hall show is sold out.