September 25, 2015

The Jesus and Mary Chain played Terminal 5



Jim and William Reid, better known as the core of the Jesus and Mary Chain, have hit the road to support the 30th anniversary of their landmark album Psychocandy.

Do bands really break-up or do they stop playing long enough to cash in on a reunion tour? Add it to the endless list of pop music's burning questions. Following their break up in 1999, the Jesus and Mary Chain reformed in 2007 and now, after touring off and on for almost a decade, they're finally playing Psychocandy in full. Taking cues from classic Phil Spector pop (the drum intro from "Be My Baby" can be found several times on the record) and mixing blinding guitar shrieks, the record helped launch the shoegaze movement and inspired generations of noise makers to come. The simplicity of the song writing fused with wailing guitar blasts gave way to massive walls of sound (another Spector nod) that pitted the snarl and gloom of post-punk with the glee of sunshine-pop. It's a record that shatters the standards of pop, filling the voids with layers of noise. Thirty years past their debut, the JAMC still cut like a knife. Opening their set with "April Skies" and "Head On" was a masterful way to kick off the evening and set the bar high. "'Some Candy Talking' wasn't on the UK release, so we're gonna play it early" murmured Reid and the track exploded with a prime response from the crowd. By the time "Just Like Honey" started, the crowd was in full sing-a-long mode, hands clapping along to the iconic drum, setting forth a pace for which the night would follow. On a whole, the masterpiece was delivered in stunning form. Little to no talking disrupted the set and the nostalgia gained for the music over the last thirty years has only done the band favors. Their erratic behavior never surfaced and their statuesque demeanor allowed for the music to speak for itself. Motionless on stage, the wrangled guitar took the focus off the band itself and rather on the experience of the sound. These days, classic records are played in full on a regular basis, but when the record in question is a stone cold classic, it's not something to be missed.

September 21, 2015

Joanna Newsom - "Leaving the City"



"Leaving the City" is the second single to be released by Joanna Newsom from her album Divers, her first new record in five years.

September 15, 2015

Deerhunter - "Breaker"


Fading Frontier, the new record from Deerhunter, drops on October 16th. "Breaker" is the latest single and finds Bradford Cox and Lockett Pundt sharing lead vocals for the first time.

September 9, 2015

Helen - "Covered in Shade"



Almost two years to the day after releasing their first songs, dream-pop trio Helen has released their first full-length record, The Original Faces, via Kranky.

September 3, 2015

Oneohtrix Point Never - "I Bite Through It"



Daniel Lopatin, best known as ambient electronic artist Oneohtrix Point Never, has announced his latest album. Garden of Delete is out November 13 on Warp.

August 27, 2015

Keep Shelly in Athens - "Now I'm Ready" (Feat. Ocean Hope)



Grecian duo Keep Shelly in Athens will release their sophomore record, Now I'm Ready, on October 10.

August 22, 2015

Sannhet played St Vitus


Brooklyn's Sannhet has been making quite the name for themselves this year. After releasing the fantastic Revisionists this winter, the band has been a prominent feature in the borough's live scene.

August 21, 2015

Battles played St Vitus



Four years after their last record, Battles are back and ready to regain their focus as one of the tightest live bands in indie rock. "We've played a few shows, but this is our first real show back" they stated as they welcomed a home town crowd in Brooklyn.

August 19, 2015

Deafheaven - "Brought to the Water"



The almighty Deafheaven have returned with New Bermuda, the heavily anticipated follow-up to 2013's magnificent Sunbather, and they've shared the lead single "Brought to the Water".

August 17, 2015

Deerhunter - "Snakeskin"



The ever evolving Deerhunter have returned with a new album, Fading Frontier, their first new record since 2013's great Monomania.